Get all 22 Malo Moray & His Inflatable Knee releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of This is to Make You Feel Better., Atolls, YUM YUM, Stars, I Have Seen Them Fall EP, Fields, Vanishing Act, Improvisations from the Solar System (and other Solo Pieces), THIS MORNING WE BURIED A BIRD, and 14 more.
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#3 (feat. Karl Krause)
09:07
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[TUTTI] (feat. alle)
25:00
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Malo Moray & His Inflatable Knee Leipzig, Germany
Malo Moray & His Inflatable Knee is the experimental ambient collective founded in 2020 by Leipzig based upright bassist/multiinstrumentalist/concept artist Martin ‘Malo’ Riebel, leading a playfully spacious search for immersion through free improvisation inspired by the cosmos, nature and obsolete sounds; mostly compared to the avant-garde works of Brian Eno, Sunn O))), Swans or Faust. ... more
Malo Moray & His Inflatable Knee recommends:
where one begins and the other stops
by Oh No Noh
Oh No Noh is definitely one of the most inspiring people I know. The experimental approach to his work culminates in pieces of simple beauty, easy to access, never plain. Love every note Markus plays!
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Mammatus Clouds
by Kikagaku Moyo/幾何学模様
Kikagaku Moyo are one of my favorite bands! Their immersive stream of music is mindblowing. Especially on this album, which always has been a great reminder to me how easy improvised music can be.
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Churning of the Ocean
by Lee Ranaldo / Jim Jarmusch / Marc Urselli / Balazs Pandi
With Jim Jarmush & Marc Urselli one of my favorite artists & most def my most favorite sound engineer to work with collaborate. This album is nothing but dark and stunning with a mindblowing sound!
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HONEY PLEASE, WASH YOUR CDS
by Lellopepper, Popularity Contest
A concept record about taking a bath, this dreamy EP splits the difference between chillwave, vaporwave, and yet-to-be-discovered waves.
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I Survived, It's Over
by Rich Ruth
An absorbing Americana album with rich ambient textures.
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Whispers from Ancient Vessels
by Damsel Elysium
Putting a disquieting spin on baroque pop, the UK experimentalist pairs immaculate neoclassical strings with dark, billowing synths.
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